Following up on my recently acquired synthpunk obsession, I recently discovered Mark Ryser of The Units has a Vimeo page. Like Devo’s similar films, the Unit Training Films as above feature that forgotten, cut-up aesthetic. Montage as social critique. With the ease of video editing, copious archives of disposable commercial films like the source materials here, it’s interesting that this approach hasn’t seen a revival.
After writing last year that elements of Television’s debut album seem like magic, it’s not much of a relief to see this incredibly rough footage of the band practicing several years earlier.
That’s Richard Hell on bass. I didn’t realize any audio existed of his time in the band. Hell just gave an interesting interview on Boing Boing’s Recommended If You Like podcast.
4. Every artist’s path is different.
Much has been made of Al’s recent speculation that this will be his last full length record—having fulfilled his contract with Sony, he’s likely to just release singles independently, so he can more quickly respond to pop hits with timely spoofs. It would be easy to extrapolate from this that “the album is dead” or “you don’t need labels anymore.”
But remember: Al is weird, and so is his career, so we have to be careful about using outliers to define “industry trends.” No one would have expected the kid with the accordion sending 4-track home-recordings to Dr Demento to have a number one album all these years later. While anyone can make a song parody and share it now, there’s not many people making a living off of song parodies, and there’s still only one Weird Al. For some artists, albums might not be the most important format, for others they’re vital. Some artists have a business model that doesn’t require label support; others find their assistance crucial. Most of the viral strategies that work for Al aren’t going to work for Godspeed You! Black Emperor, for example, even as they too are huge fans of Al’s work.
Pullum on ethics as an analogy for the epistemology of syntax.
But that’s the irony of dystopia. Writers make novels about the types of issues that marginalized communities face every day, and pass it off as something that could only happen in the future.
Why is God telling me to stop asking questions? When we defied God by tasting of the fruit of the Tree of Knowledge, that’s how we became ourselves. You know, God may not like that part of us, but I do.
One of the unfinished essays on my computer is an attempt to read The Demon Haunted World (which Druyan co-authored with Carl Sagan) as mythology. She backs up everything I intended to say in that piece right here in this interview.
Since finding my Stylophone, I wondered if anyone had transcribed the parts from Bowie’s “Space Oddity”, and to my surprise, I found YouTube videos of the individual tape tracks from the recording session.
Lead guitar and Stylophone
Backing vocal, flute, cello
I’ve joined the gang at Deadline Riot, a group blog for songwriters who are all attempting to write one song every week this year. So far I’m right on schedule and have contributed three new demos:
- At a Gas Station in Indiana – a fake Billy Bragg song.
- Shalott – a tiny jazz ballad.
- See the Little Goblin - a Blackadder reference in song.
I suspect blog posts on songwriting will migrate over there for the year as well.